How to Use the
Book
The
book before you is the twelfth edition of Davenport’s
Art Reference & Price Guide, the world’s leading guide to the art
market. For many, it is the first
source consulted when beginning the process of determining whether the artist
one has discovered may have produced a masterpiece or something more modest; a
work of prominence or something less appreciated. For this task, there is no better place to start than Davenport’s; with more than 240,000
entries, it clearly takes the pulse of the art world the way no other source
can. With information from Davenport’s as the guide, the reader is
equipped to expand the search in directions thus indicated.
The
Founding Editor imposed strict criteria for an artist to be listed in the
book. The artist must have sold at an
auction that produces a catalogue and publishes results, or be included in
selected major art reference books.
Both sources are a rich cache of detailed information on the artists,
and by extracting and summarizing data from thousands of worldwide auction
catalogues and art reference books, Davenport’s
alphabetic compilation of more than 240,000 artists offers a wealth of data
unparalleled anywhere. For those who
wish to delve deeper, Davenport’s has
pinpointed the next step.
We
apologize for the data that “wraps” from one column to the next, and from one
page to the next. Because of the sheer
amount of data and our customers’ request for a one volume book, it was
necessary to disregard the “widows & orphans”. Dashes and small dots act as delimiters for the data fields.
Entries
are grouped alphabetically by the artist's surname, with the artist’s first
name, middle name, nicknames, etc., following the surname.
The
life span dates, or “birth and death” dates, follow the name. Information is given as is available, and in
the case of Old Masters, there is often varying degrees of certainty as to the
exact dates. In some cases the century
in which the artist worked is given, e.g. “18th Cent”.
Following
the life span dates is the nationality, birthplace, or domicile of the
artist. If the artist lived and worked
in the United States, the city and state are given.
An
attempt has been made to list the major subjects upon which the artist
concentrated in his/her lifetime. The
list is endless but includes such major categories as genre, portraits, and
landscapes, in addition to more specialized areas like monkeys, eggs, etc.
Davenport’s is the beginning point for pricing data,
not the final arbiter. It is intended
to give the reader an idea as to the relative worth of an artist’s work, with
further research almost always needed.
Say, for instance, the reader finds a sale price given of $100,000.
Clearly the artist’s work is valuable, and much more research is
indicated. It doesn’t mean that every
like kind work by the artist is worth $100,000. By the same token, if the information gives prices around $100,
this would seem to imply that the artist’s work is unlikely to be selling for
$100,000. The artwork in question,
however, could be worth $5,000. In the
art world, as in so many other fields, pricing can be extremely subjective.
One
of the editors’ current goals regarding pricing information is to give a representative price for each medium in
which the artist worked. Until the most
recent edition, the price quoted was intended to be for a large-sized work of high quality for that particular artist (noted
in inches). Unfortunately this was
sometimes misunderstood, so as entries are updated the emphasis now is on
representative prices, with auction price ranges often used.
Other
recent entries or updated entries occasionally have included median prices,
which take into account that if an artist has sold a number of works in a
particular year, and if the sales were sorted by price, the actual sale price
that falls in the middle is perhaps more representative. Note that this differs from an average, in
that it is less influenced by atypical sales.
In a work listing over 240,000 artists, it would be
impossible to update the pricing data in each entry each year and still offer
the book at an affordable price. The
year in brackets at the end of most entries is intended to be the year that
prices were updated for that artist (please see the following section entitled
“Updating”). While art prices tend
generally upward, the value of many artists’ work varies little from year to
year. Using the bracketed date as a chronological starting point, the reader
may then choose to extrapolate the price of a work of art, factoring in what is
known about the quality of the artist’s work, the condition, subject matter,
and the significance of the piece of art that is being evaluated.
While
we are constantly updating older pricing data, our readers have indicated that
adding new artists is a top priority.
We do devote a considerable amount of time to the pricing updates, but
since the older data is still very valuable in establishing the starting point
for research, they would rather have that starting point for a wider range of
artists. We welcome your views on this
matter.
If
an artist is listed in one of the art reference books cited, but no actual
price has been located, then a range of prices is often given (e.g. $300-600)
based on the information available on the artist. These prices should be treated with skepticism because of a lack
of information. We are updating these
price approximations to auction records as quickly as we can. Again, our readers indicate that they would
prefer an educated guess as to the range in which the artist’s work would sell
than to have no guideline at all.
Certainly, if the artist’s price range is say $500-1000, the work in
question could sell for $200, or $2,000, or more. We always recommend further research using tools such as the Art Sales Index database, which lists
over 2,000,000 auction records.
In
Davenport’s we have attempted to
provide an example of most major art media, if at all practical. The data is
arranged “left to right” for each artist: oil paintings first (no medium is
specified), followed by watercolors, tempera, pastels, gouache, drawings,
engravings, lithographs, photographs and sculptures.
The
prices often are followed by actual auction house sales of that artist’s
work. This allows the user to refer to
the catalogue in which an example of the artist’s work is included. Please refer to the following section
entitled “Auction House and Sale Date” for further information.
In
some cases the subject matter is listed after the price (e.g. Portrait),
indicating that the price given is for that particular subject matter.
A letter code is used to designate most of the auction houses
cited in this volume. This code is
followed by one or more dates, which indicate the sale dates of that particular
auction house which included a work of art by the named artist. For certain older sales dating from the
early 1980s, the auction houses’ sale number codes were used instead of the
actual date of sale. A list of these
sale number codes appears in the back of this book under “Archival Sales, Sale
Numbers, and Sale Dates.”
In some cases, primarily for European auction houses, the full
auction house name is spelled out in the data section, instead of a code being
used. Alternatively, if faced with
limited information, only the city or country of sale and the sale date, but
not the auction house itself, is given.
Finally, for some European artists whose works sell extensively in one
locale (like Paris and the Hotel Drouot) and are too numerous to list, the
notation in the sales date area might refer to the city only, without a
corresponding auction date.
The following are the auction house letter codes and the
corresponding auction house. Please
note that the house names are given on the date of the corresponding sale. The names may have changed or the house may
no longer be in business. For complete
details on each auction house, including address, phone and fax number, email
and web address, etc., please refer to the International
Auction House Directory, published by Gordon’s Art Reference. The codes are:
|
AB
Stockholms Auktionsverk |
AB |
|
|
|
Agra |
AGR |
|
|
|
Alderfer
Auction Co. |
ALD |
|
|
|
Allgauer
Auktionshaus |
ALL |
|
|
|
Altermann
& Morris |
ALT
|
|
|
|
Amberes |
AMB
|
|
|
|
Amersham
Auction Rooms |
AAR |
|
|
|
Anaf |
ANA |
|
|
|
Anderson
& Garland |
AG |
|
|
|
Andrew
Hartley |
AH |
|
|
|
Ansorena |
ANS |
|
|
|
Antoine
Ader |
ANT |
|
|
|
Arcoles |
ARCO |
||
|
Arno
Winterberg |
ARN |
||
|
Arnold |
ARND |
||
|
Arthur
James |
ARJ |
||
|
Artnet |
ART |
||
|
Auktionhaus
Blank |
ABL |
||
|
Auktionhaus
Zofingen |
AZ |
||
|
Auktion
Burkard |
BRK
|
||
|
Auktionhaus
Georg Rehm |
GR |
||
|
Australian
Art Auctions |
AUS |
||
|
Bairstow
Eves |
BAI |
||
|
Bakker-Bocelli |
BB
|
||
|
Barridoff
Galleries |
BAR
|
||
|
Bearnes |
BEA
|
||
|
Beijers
Auktioner |
BJR |
||
|
Bergman |
BERG |
||
|
Bernaerts |
BER |
||
|
Biddle
& Webb |
BW |
||
|
Biders
Auction Gallery |
BID |
||
|
Binoche
Et Godeau |
BIN |
||
|
Blacke |
BK |
||
|
Blackwood/March |
BLA |
||
|
Blanchet
& Joren-Derem |
BJD |
||
|
Blomqvist |
BQ |
||
|
Bob
Lang Auctions |
LAN
|
||
|
Bolland
& Marotz |
BM |
||
|
Bonhams
& Brooks |
BHB |
||
|
Bonham
& James |
BJ
|
||
|
Bonhams
& Doyles |
BD |
||
|
Bonhams
London |
BON |
||
|
Bonhams,
West Country |
BWC |
||
|
Braswell
Galleries |
BRA
|
||
|
Bristol
Auction Rooms |
BRI |
||
|
Bruce
Collins Fine Art |
COL |
||
|
Brunk
Auction Service |
BRU |
||
|
Bukowskis |
BUK
|
||
|
Bukowski
& Horhammer, Helsinki |
BHH |
||
|
Burcher
Galleries |
BG |
||
|
Butterfields |
BF
|
||
|
C.G.
Sloan |
SL |
||
|
C.M.
Russell Museum |
RUS |
||
|
Caddigan
Auctions |
CAD |
||
|
Calmels |
CAL |
||
|
Camden
Auctioneers |
CAM
|
||
|
Cameron
Trading Post |
CAMA
|
||
|
Campo |
CAMP |
||
|
Capes
Dunn |
CD |
||
|
Carl
Nordblom |
NORD |
||
|
Carl
Stinson |
STI
|
||
|
Castellana |
CAS |
||
|
Catherin
Charbonneaux |
CC
|
||
|
Chamberlin's
Auction |
CHAM |
||
|
Charles
Guarino |
GUA
|
||
|
Charlton
Hall |
CHAR |
||
|
Chaussin,
Bremens & Guillamot |
CBG |
||
|
Cheffins,
Grain & Comins |
CGC |
||
|
Chenu
& Scrive |
CS |
||
|
Chicago
Art Galleries Inc. |
CHI
|
||
|
Christie's
East, New York |
CRE |
||
|
Christie's,
Amsterdam |
CA
|
||
|
Christie's,
Australia |
CRA |
||
|
Christie's,
Glasgow |
CG |
||
|
Christie's,
London |
CRL
|
||
|
Christie's,
Los Angeles |
CRX |
||
|
Christie's,
New York |
CR |
||
|
Christie's,
Rome |
CRR |
||
|
Christie's,
South Kensington |
CRS |
||
|
Clark
Cierlak |
CIE |
||
|
Claude
Boisgirard |
BOI |
||
|
Clearing
House Auction |
CLH |
||
|
Cleveland
House Auction |
CLE |
||
|
Coeur
d'Alene |
CDA |
||
|
Concord
Auction Studio |
CON
|
||
|
Cornette
De St. Cyr |
CSC |
||
|
Couturier
& Nicolay |
COU |
||
|
Crafoord |
CRF |
||
|
Cross
Gate Galeries |
CGG |
||
|
Dan
May Auction |
MAY |
||
|
Dargate
Auction Galleries |
DAR |
||
|
David
Dike |
DD |
||
|
David
Lay |
DL |
||
|
Dawson
Auctions |
DAW
|
||
|
Deauville |
DEA |
||
|
Dee
Atkins & Harrison |
DEE |
||
|
Delvaux |
DEL |
||
|
Demond
Judd |
DJ |
||
|
Deutsch
& Keil |
DK |
||
|
Deutscher-Menzies |
DM |
||
|
Dobiaschofsky |
DOB |
||
|
Don
Treadway |
TR |
||
|
Dorling |
DORL |
||
|
Dorotheum |
DOR
|
||
|
Douglas
Auctioneers |
DOU
|
||
|
Doyle |
DOY |
||
|
Dreweatt
Neate |
DN |
||
|
Drouot
Estimations |
DRO |
||
|
Duane
Merrill Auction |
MER |
||
|
DuMouchelles
Auctions |
DU
|
||
|
Dumousset-Deburaux |
DDB |
||
|
Dunbar
Sloan |
DS |
||
|
Dunning's
Auction Service |
DUN |
||
|
Duran |
DUR |
||
|
Dusseldorfer
Auktionshaus |
DA |
||
|
Empire
Auctions |
EA |
||
|
Eldred's |
ELD
|
||
|
Engstroms |
ENG |
||
|
Eric
Pillon |
EP |
||
|
Ewolf's |
EWO |
||
|
Falkkloos |
FAL |
||
|
Farsetti |
FAR |
||
|
Feletin |
FEL
|
||
|
Ferri |
FER |
||
|
Finarte,Milan |
FIN |
||
|
Foure-Lebrot
& Bignon |
FLB |
||
|
Francis
Briest |
FB |
||
|
Frank
H. Boos Gallery |
BOO
|
||
|
Frank
Kaminski Co |
KAM |
||
|
Freeman
Fine Art |
FA |
||
|
Galerie
Bassenge |
BAS |
||
|
Galerie
Du Rhone |
RHO |
||
|
Galerie
Fischer |
FIS
|
||
|
Galerie
Glogger |
GG |
||
|
Galerie
Koller |
KOL |
||
|
Galerie
Kornfield |
KORN |
||
|
Galerie
Stuker |
ST |
||
|
Garth's
Auction Inc. |
GAR |
||
|
Gary
Guyette |
GUY |
||
|
Gatsby
Auctions |
GAT |
||
|
Gauthier |
GAU |
||
|
Germann |
GER
|
||
|
Giles
Haywood |
GH |
||
|
Gioffredo |
GIO |
||
|
Glerum |
GLE |
||
|
Goteborgs
Auktionsverk |
GOT |
||
|
Goldberg
Auction Galleries |
GOL |
||
|
Gomensoro |
GO |
||
|
Graves,
Son & Pilcher |
GSP |
||
|
Grogan
& Co. |
GRO
|
||
|
Gross
& Delettrez |
GD |
||
|
Gustave
White |
WHI |
||
|
Guy
Loudmer |
GL |
||
|
Habsburg
Feldman |
HAB |
||
|
Hagelstam |
HAG |
||
|
Hall's |
HAL |
||
|
Hamptons |
HAM |
||
|
Hans
Stahl |
HS |
||
|
Hans
Widmer |
HW
|
||
|
Hanzel
Galleries |
HAN |
||
|
Harris
Auction Galler |
HARR
|
||
|
Harrogate |
HG |
||
|
Hart
Galleries |
HAR |
||
|
Harvey
Clar |
HC
|
||
|
Hatelstam |
HAT |
||
|
Hauswedell
& Nolte |
HN |
||
|
Hesse
Auction Gallery |
HES
|
||
|
Hamilton
Osborne King |
HOK |
||
|
Hindman
Galleries |
HIND |
||
|
Hoebanx |
HOE |
||
|
Horhammer |
HRM |
||
|
Hotel
De Ventes Horta |
HVH |
||
|
Hotel
Des Ventes Mosen |
HDVM |
||
|
Hotel
De Ventes Vanderkindere |
HDV |
||
|
Howard
Lowery Galler |
LOW |
||
|
Hudson
River Museum |
HRM |
||
|
Hugo
Ruef |
HR |
||
|
Illustration
House |
ILL |
||
|
Ingo
Schonpflug |
ING |
||
|
International
Art Center |
IAC |
||
|
J.W.
Paul Auction Co. |
PAU |
||
|
Jackson's
Auction Gallery |
JAC
|
||
|
James
Adam |
JA |
||
|
James
Bakker |
JB |
||
|
James
Cox Gallery |
COX
|
||
|
James
D. Julia |
JUL |
||
|
James
Gallery |
JAM
|
||
|
James
R. Bakker |
BAK
|
||
|
James
Thompson |
JT |
||
|
Jean
Louis Picard |
PIC |
||
|
Jeffrey
Burchard |
BUR |
||
|
William
Jenack |
JEN |
||
|
John
Moran |
MOR |
||
|
John
Nicholson |
JNI |
||
|
John
Ross & Co. |
JR |
||
|
Jonquet |
JON |
||
|
Kenneth
Van Blarcom |
VAN
|
||
|
Ketterer
Kunst |
KET |
||
|
Keys |
KEY |
||
|
Klinger
& Co. |
KLI
|
||
|
Kohn |
KOHN |
||
|
Konig |
KON |
||
|
Kunstgalerij
De Vuyst |
KDV |
||
|
Kunsthallen |
KUN |
||
|
Lahabana |
LAH |
||
|
Lane |
LAN |
||
|
Lauren
Guilleux Buffetaud Tailleur |
LGBT |
||
|
Lawrences |
LAW |
||
|
Lempertz |
LEM |
||
|
Lenormand |
LEN |
||
|
Leonard
Joel |
LJ |
||
|
Leslie
Hindman Auctions |
HIN |
||
|
Libert
Castor |
LC |
||
|
Lincoln
Galleries |
LIN |
||
|
Litchfield
Auction Gallery |
LIT
|
||
|
Lombrail
& Teucquam |
LOM |
||
|
Louis
Morton |
LM |
||
|
Louisiana
Auction Exch |
LA
|
||
|
Lubin
Galleries |
LUB |
||
|
Lyon
& Turnbull |
LT |
||
|
Mallams |
MAL |
||
|
Mapes
Auction |
MAP |
||
|
Martin
& Chausselat |
MC |
||
|
Martino
& Savignat |
MAR |
||
|
Matz
& Pribell Auction |
mat |
||
|
Maynard |
MAY |
||
|
Mealy's |
MEA
|
||
|
Meeting
Art |
MA |
||
|
Mercier
& Cier |
MERC |
||
|
Merlinot
& Savignat |
MS |
||
|
Metropolitan
Pavilion |
MET |
||
|
Michael
Zeller |
ZEL |
||
|
Millon
& Assoc. |
MIL |
||
|
Milton
& Robert |
MR |
||
|
G.
Moderne |
MOD |
||
|
Montgomery
Gallery |
MON
|
||
|
Morelle
& Marchandet |
MM |
||
|
Morgan
Evans |
ME |
||
|
Morphets |
MP |
||
|
Morris
& Whiteside |
MW |
||
|
Museum
Of NW Art |
NWA |
||
|
Museumsbyningen |
MBG |
||
|
Myers
Auction |
MYE |
||
|
Mystic
Fine Arts |
MYS
|
||
|
Nadeau's
Auction |
NAD
|
||
|
Nader's
Auctioneers |
NADA |
||
|
Dr.
Fritz Nagel |
FN |
||
|
Naon
& Cia |
NAO |
||
|
Neal
Auction |
NEA
|
||
|
Neales |
NEL |
||
|
Nelleman
& Thomsen |
NT |
||
|
Neuilly
St. James |
NLY |
||
|
Neumeister's |
NEU |
||
|
New
Hampshire Book |
NH |
||
|
New
Orleans Auction |
NEW
|
||
|
Nordan |
NODN |
||
|
Northeast
Auction |
NOR |
||
|
Nutmeg
Auction |
NUT |
||
|
O'Gallerie
Auctioneers |
OGA
|
||
|
Oliver's
Auction |
OLI |
||
|
Pacific
Book Auction |
PAC |
||
|
Palais
De Beaux Arts |
PAL |
||
|
Pandolfini |
PAN
|
||
|
Paterson's |
PAT |
||
|
Peace,UK |
PEA |
||
|
Pennypacker-Andrews |
PEN
|
||
|
Perot |
PERO |
||
|
Perrin |
PER |
||
|
Pescheteau |
PES |
||
|
Pescheteau-Badin
Godeau & Leroy |
PBGL |
||
|
Peter
Francis |
PF |
||
|
Peter
Karbstein |
KARB |
||
|
Peter
Webb |
PW
|
||
|
Phillip
Schuler |
PS |
||
|
Phillip's
London |
PHL |
||
|
Phillip's
New York |
PH |
||
|
Phillip's
Oxford |
PHO
|
||
|
Phillip's
St. Louis |
PHM |
||
|
Piasa |
PIA |
||
|
Picard
& Tajan |
PT |
||
|
Pinneys |
PIN |
||
|
Pomez
& Boisseau |
PB |
||
|
Pook
& Pook, Inc. |
POO |
||
|
Poster
Auction |
POS
|
||
|
Poulain
& Le Fur |
POU |
||
|
Provincetown
Art Association |
PRO
|
||
|
Prunier |
PRU |
||
|
Rafael
Osuna |
OSO |
||
|
Rasmussen |
RAS |
||
|
Remi
Adler |
REMI |
||
|
Riba
Auction |
RIB |
||
|
Ribeyere |
RBR |
||
|
Richard
Bourne Co. |
BOR
|
||
|
Richard
Opfer |
RO
|
||
|
Rieber
Auktionhaus |
RIE
|
||
|
Ritchie's |
RIC |
||
|
Robert
Clinton |
CLI
|
||
|
Robert
Eldred Co. |
ELD
|
||
|
Robert
W. Skinner |
SK |
||
|
Robin
& Fattori |
RF |
||
|
Rogeon |
ROG |
||
|
Rose
Hill Auction |
ROS
|
||
|
Rosebery
Fine Art |
RFA |
||
|
Royal
York Auction Gallery |
ROY |
||
|
Runfeldts |
RUN
|
||
|
Russell,
Baldwin & Bright |
RBB |
||
|
Rusterholtz |
RUS |
||
|
Saint
Hippolyte |
SH |
||
|
San
Rafael Auction |
SR |
||
|
Sanders
& Mock Associates |
SAN |
||
|
Santa
Fe Auction |
SF |
||
|
Schloss
Alden |
SCA |
||
|
Schrager
Auction Gallery |
SCH |
||
|
Selkirk
Galleries |
SEL |
||
|
Semenzaro |
SEM |
||
|
Shannon's |
SHA |
||
|
Sharon
Boccelli & Co. |
BOC
|
||
|
Shute
Auction |
SHU |
||
|
Siboni |
SIB |
||
|
Sloan,
North Bethesda |
SLN |
||
|
Slotin
Folk Art |
SLT |
||
|
Sothebys,
Amersterdam |
SAM |
||
Sothebys,
Melbourne |
SME |
||
|
Sothebys,
Toronto |
STO |
||
|
Sotheby's
Arcade |
SPA |
|
Sotheby's
Billinghurst |
SPS |
|
Sotheby's
London |
SPL |
|
Sotheby's
Milan |
SM |
|
Sotheby's
New York |
SPB |
|
South
Bay |
SB |
|
Stalker
Gallery |
STA
|
|
Subastas
Odalys |
SUB |
|
Superior
Galleries |
SUP
|
|
Susanins |
SUS |
|
Swann
Galleries |
SWA |
|
Tajan |
TAJ |
|
Taylon |
TAY |
|
Taylor
& Fletcher |
TF |
|
Temple
Auction |
TE |
|
Tennants |
TN |
|
Thierry
& Lannon |
TL |
|
Thomas
Adams |
TA |
|
Thomas
Love & Sons |
TLS |
|
Treadway
Galleries |
TRD |
|
Treadway
Toomey |
TT |
|
Van
Ham |
VH |
|
RJ
Venator & Hansten |
VEN |
|
Ventu
Notarishuis |
VN |
|
Verbo |
VRBO |
|
Villa
Grisebach |
VG |
|
Waddingtons |
WAD |
|
Waverly
Auctions |
WAV |
|
Weidler |
WED |
|
Weiner |
WEI |
|
Weschler's
|
WES |
|
Wiener
Kunst Auktionen |
WKA |
|
William
Doyle Galleries |
DOY
|
|
Willows
Gallery |
WIL |
|
Winter
Assoc. |
WIN |
|
Wolf's
Auction |
WOL |
|
Wright |
WRI |
|
Young
Fine Arts |
YNG |
Yves
De Cagny |
YDC |
|
Ziemann |
ZIE |
Artists were selected from a variety of
sources, including the following major art reference titles: Bermans, Cummings,
Dawdy, Fieldings, Havlice, Hughes, Mallett, Moure, Samuels, and Who Was
Who. A more complete list, along with
the abbreviations used in the data section, is cited in the bibliography in the
back matter of this volume.
The size of the individual artist’s
write-up in these reference books is noted in a range of “1-5”, as follows: (1)
= 1-3 lines; (2) = 4-8 lines; (3) = 9-15 lines; (4) = 16-25 lines; (5) = 26 or
more lines.
If an image of the artist is included in
the reference work, this is noted in the data section by the initial (P), for
“picture,” within the parentheses listing the size of the write-up, e.g. (3,P).
Signature data given in the book is as
the artist actually signed the artwork.
See also, in the back matter of this volume, a list of initials some
artists used in signing their work.
The year in brackets at the end of most
entries is intended to be the year that prices were updated for each
artist. This has varied over the years
from the “auction year” to the calendar year.
If there is no year given in brackets, then two possible explanations
exist. Either the last updating would
have been prior to 1988, as that was the year the dating in brackets was first
used, or in the case of artists recently added, a thorough search of auction
records has not yet been made. We have
therefore refrained from sealing the entry with a date, as that would lend
inappropriate authority to the price range.
General and specific comments regarding
the artist, the school with which he or she was associated, where or with whom
he studied, relatives who were also artists, etc., are noted to help the reader
more fully understand the artist’s work.
Please
feel free to call our offices for assistance or with your kind
suggestions. Our Internet site at
www.gordonsart.com is newly designed and brimming with updated information,
including how to access our databases.
You may send us e-mail at info@gordonsart.com, or speak to us in person at
1-602-253-6948. Our fax number is
1-602-253-2104 and our order line is 1-800-892-4622. We would be happy to spend as much time as you need to help you
use this book and the Gordon’s website as efficiently and profitably as
possible.
Sample Entry Explained
N.A. National
Academician or Full Member of the National Academy of Design
1886-1957 Life
span dates
Monterey, CA Nationality/birthplace/locale
$63,000 26x38 to $423,750 36x48 Representative
prices for oils, in inches
$7475
med 12 X 18 WC Median
price for watercolor, in inches
UK 99•
SPB 11/28/01, CR 10/16/87 Auction
house or place, dates of sales
Mallett(1),
Fleischer(5,P) Reference
books, size of write-ups, artist picture
Armin C. Hansen’16, A.C. Hansen Signature information
Impressionist,
Painter, Son & Pupil Comments,
including schools, teachers,
of
Herman W , Lived in Europe artist
relatives, common media, etc.
[2002] Date
of latest update
A
Further Explanation of Each Category Above is Found in the
How To Use the Book
Section.
The
example above is a composite of several entries.